T.C. Electronic

VSS is taking a quantum leap in reverb technology and setting the new industry standard. The M3000 is the best sounding, most versatile and easiest to use professional reverb today and well into the future. Combining ultimate control of directivity in the early reflections with a transparent and harmonically magnificent tail, the art of reverberation is brought to a new and higher level.

The M3000 enables you to add the softest and cleanest ambience you have never heard to your work of art. Furthermore the processor boasts a wide range of tools and presets to give you the exact vintage or post production reverb you are looking for. Every operation is performed with ease with the Award winning TC Electronic intuitive user-interface. Features

RECALL The Recall page is the "homepage" of the M3000 giving you access to a total of 300 factory presets in Single or Combined Engine mode. The presets are located by turning the Adjust Dial and engaged by hitting OK. WIZARD The Wizard function is a fast and intuitive way to get the sound needed for your work. Simply select the Application, Source and Size you are looking for and the M3000 suggests a number of presets matching your request. EDIT With the Edit function you get the option of editing presets and change any parameter to create the exact ambience or effect you want. VSS? and VSS? Gate reverbs can be edited in either Easy Mode or Expert Mode. In Easy Mode the Hi Color and Lo Color tools lets you edit the complex spectral balance of the reverb in a second. In Expert mode you have access to a wide number of well-arranged parameters STORE After editing one of the 300 factory presets your result can easily be stored as a personal custom preset. The M3000 holds up to 300 user-defined presets: 250 in Single mode and 50 in Combined Engine mode. On an optional PCMCIA card additional 300 user presets can be stored. Being about the same size as a credit card, it is easily fitted into a pocket, allowing you to take your creative work with you and putting it to work on other M3000 processors

INPUT& OUTPUT The M3000 offers a wide number of I/Os - analog as well as digital. Regardless of input the M3000 feeds signal to all the outputs simultaneously allowing you to tap the signal for different applications at the same time. The digital outputs feature 8-22 bit dither. ROUTING The powerful Dual Engine structure of the M3000 allows any combination of full-blown algorithms to be run on each engine simultaneously. You can chose from 6 different routing setups including Serial, Parallel and Dual Input. TAP TEMPO The Tap Tempo function is ideal for matching the Delay Time to the actual rhythm of a tune. Simply hit the Tap Key to the rhythm and the M3000 will come up with a delay time matching the beat. The Tap tempo function can also set the parameter for Reverb Decay, Chorus Speed, Flanger Speed, Phaser Speed or Tremolo Speed. DYNAMIC MORPHING When activated, Dynamic Morphing will morph from the presets on one engine to the preset on the other. Simply select two presets, the morphing Threshold level and the transition Speed and check out the result. Dynamic Morphing is a fantastic tool with for example a vocal track that rises in level and intensity. E.g. choose a discrete Room ambience for the verse and big bright Hall for the chorus. The effect is amazing and it runs automatically. MORE ALGORITHMS Apart from the new VSS? and VSS? Gate Reverb algorithms, you can chose between C.O.R.E. Reverb, REV-3 Reverb, Delay, Pitch, EQ, Chorus, Flanger, Tremolo, Phaser, Expander/Gate, Compressor and De -Esser. All in the well known TC Electronic sound quality.

The M-ONE XL Dual Effects Processor offers several features over the classic M-ONE, including new algorithms and an additional 100 internal ROM presets optimized for live applications. XLR analog I/O connectors are provided for fast, reliable and simple connectivity in the live sound environment. Also included are Ping-Pong Delay, additional reverb size tunability, MIDI mapping, Tremolo Pitch, and numerous user interface enhancements.

The M-ONE XL offers some of TC Electronic's most coveted algorithms including enhanced reverbs based on all new research - plus delay, dynamics, pitch and classic "golden ratio" chorus and tremolo. There are a total of 25 different algorithms in all, accessible via a fast, simple and intuitive user interface. 200 Factory ROM presets and 100 user RAM preset locations are provided. The M-One hardware consists of full resolution 24 bit A/D and D/A converters with 24 bit internal processing driven by a powerful 100 million instruction per second DSP engine. A S/PDIF digital I/O is also included for a pure all digital, 24-bit signal path supporting both 44.1K and 48K rates.

Voice Prism is a one-a-kind vocal processor for the serious vocal enthusiast. Presets can instantly take you from a 50�s style, highly compressed, double-tracked, slap-back lead vocal to a lush, chorused vocal sextet in a large room setting. VoicePrism lets you hear your vocal ideas quickly, and will inspire you with a few of its own!

Features:

4 voice backing -vocal harmony with independent gender- and humanizing controls Lead-voice double tracking: full vocal channel incl. Compression, EQ, Delay, Tape Delay, Chorus, Flange, Reverb with Pre-delay Ultra-easy interface with context sensitive Help and Preset Browser Stereo analog and digital Outputs

More to come: Including both hardware and software upgrades Sing Live? VoicePrism is designed to be a delight in live applications. Full MIDI implementation, footswitch control (optional), direct access user interface, rugged design, and built-in MIDI chord recognition algorithms � all these features work together to make VoicePrism your reliable gig partner.

Sing in the studio? Wondering what your favorite song would sound like with backing vocals on the chorus section? Dial up a wide range of possibilities and demo them in seconds. Want to construct your own? Along with all of the quick editing, MIDI and automation features described above, VoicePrism has a unique step-edit mode designed for studio users. You can quickly and intuitively advance through your song and edit your local track in realtime. Songs can also be saved for instant recall.

More than you can believe! Backing vocals can even be constructed in realtime by using a MIDI keyboard. Play vocal lines that can�t be sung and add special effects to take your vocals to the limit.

High-quality 48V phantom mic preamp with 24 bit digital converters

The Engineering Group at TC Electronic were given carte blanche to create the optimal studio signal processor. Being musicians and studio engineers themselves, they know what is important and have a feel for what you are looking for. Working on the borderline between art and science, they created the M2000.

Designed for the artist within you, you will create magic when using the M2000:

Magic The M2000 provides you with a broad palette of high quality effects enabling you to create magical effects. The true dual engine configuration allows you to run two full-blown effects simultaneously, i.e. on two individual effects sends. The effects have been developed for optimal sonic quality with no compromises made. This has only been possible because our engineers succeeded in combining the latest technology with TC's powerful DARC?chip.

Ultimate User-Interface The user-friendly TC feature, the Recall Wizard, instantly finds the preset that suits your need in any situation. You simply enter your preferences, such as gentle reverb for vocal, or extra pitch for guitar and the Wizard serves you a short list of presets ready to compare and use.

Uncompromising Effects The M2000 gives you access to a stunning array of Reverb, Pitch-shifting, Delays, Chorus, Dynamics etc. Among the included reverbs you’ll find the unique Co-efficient Optimised Room Emulator or C.O.R.E. Reverb?based upon TC’s famous reverberation Technology.

Another unique feature in the M2000 is the Dynamic Morphing. This function enables you to apply e.g. Chorus to a vocal at low volume levels, while the same effect is being morphed into flanging at high levels giving the signal a totally new dynamic dimension.

The Sensation This is the 24 bit version, not 20 bit. The M2000 is fully prepared for the digital age with Digital I/O connectors, S/PDIF and the professional format AES/EBU. However, specifications never tell the whole story. What really matters is how your final mix sounds. This is where TC’s long experience and know-how in high-end studio signal processing becomes important.

More Features 250 factory presets, including Delay, Reverb, Ambience, Pitch, Dynamics, EQ + more. True stereo Twin Engine processing with six different routings available. Dynamic Morphing? and Patch Glide with adjustable glide times. 20bit Analog Conversion (105dB Dynamic Range A to D): 10Hz-20Khz bandwidth AES/EBU (24bit) and SPDIF (20bit) digital I/O. + 16bit dithering tool for DAT output. Wizard Help menus assist user in preset choices on an easy to read scrolling bit-mapped display. Tap tempo and MIDI tempo Delay presets. Tap tempo button and footswitch jack. Both 128 user and 128 Combi-user presets + 4 snapshot memories. Universal auto-switching power supply (100-240V.)

The FireworX is the most radical sounding Multi-effects Processor you have ever heard and a real challenge to your imagination. Take whatever you need from the broad palette of internal effects, drop it into the forge at the heart of the FireworX, and turn your music into a fireball of sound. Based on TC Electronic's cutting edge technology the FireworX will let you surf the limits of the possible. Turn up the heat and get ready to explore the world of digital pyrotechnics. Features

Recall The Recall page takes you step by step through all the FireworX' presets. The List page gives you a clear overview and fast recall of presets. The Preset page gives you the choice of Card-, Factory- or Userbank and the ability to exclusively scroll through all presets that contain, for example, a Vocoder. I/O Setup The in & out section's Signal page shows the signal path from input through inserts to output. The intuitive user-interface gives you the best possible overview and makes instant connection changes very fast and easy to perform. The Level page shows the analog input controls and gives you the ability to lower the digital signal, which gives you total control of any level entering or exiting the FireworX. Routing This is where you set up your block routing With a double click on the effect block panel buttons you insert the effect type chosen with the Value Wheel. Choosing an effect block and pushing Enter will bring up the sub routing I/O page of the chosen block. You decide on where the chosen effect will get its fuel from and where to route its power. Push ENTER again and access the core settings of your chosen effect in the FireworX. Tool If you want to know how much DSP power each effect is using, go to the Tool Page under the Effects section, choose DSP LOAD then press Enter. The percentage of the DSP power used in each block will now be displayed. Use the Exit button to toggle between this and the effect type name. What you see on the crystal clear display of the FireworX is what your get. Modifier Menu Looking for the Holy Grail? This is where it's at. The Modifier section is what makes the FireworX so versatile. Only your imagination is the limit here. Think of any possible way to combine modifiers and effect parameters then do it. Creativity brought to work, all made possible by the FireworX. Free Form Modifier The Freeform modifier is actually a tiny sequencer that allows you to create a more 'Rhythmic' sequence. This is very useful if you want a Phaser or a Tremolo to act as a percussive sidekick to a Breakbeat. Function Modifier If you're in need of a monophonic synthesizer, use the one in the FireworX. You can route your keyboard via MIDI to e.g. Function 1 and then route Function 1 to the Synth Frequency. Voila, there you go!

The TC Electronic G-Major benefits from the company's dedication to high quality guitar processors. Following in the footsteps of the G-Force, the G-Major makes affordable a technology beyond your expectations. G-Major can run seven different effects and a Tuner simultaneously, and offers real time control of a number of parameters through MIDI or pedal Input. G-Major preset change is fast and smooth, and supports true spillover of Delays. The G-Major is strictly effects, which means that it will be a perfect addition to your preamp. Effects are organized in blocks, and each block contains several effect types to choose from. For example, the Delay block holds: Stereo Delay, PingPong Delay, Tap Delay and Dynamic Delay. There are more than 25 algorithms inside. Make the most of them instantly! Features

TC Electronic award winning technology found its way into the G-Major. So have extensive control and ease of use: Single click: toggles the current effect on/off. A Noise Gate is generally used to attenuate the signal when you don't play the guitar. This way you can avoid hearing all the hiss, hum and other noise your system might generate. A Compressor is used to reduce the dynamic content of a signal. There are situations where a compressor should not be applied on the guitar and there are definitely situations where it is the key to letting the guitar stand out and appear rock solid. Classic and Advanced Chorus The Advanced Chorus algorithm holds a few extra parameters compared to the Classic Chorus. You have the option of turning the Golden Ratio on/off, controlling the Chorus Delay and also applying a Phase Reverse function for extra widening of the Chorus effect. A Flange is a short Delay modulated via an LFO (Low Frequency Oscillator). Feedback in relation to Flange sets the resonance level of the effect. Select the Classic Flange or the Advanced Flange which features the Golden Ratio facility inherited from the classic TC 2290 Dynamic Delay processor. The Resonance filters are basically a Hi and Lo Cut filter that can be swept up and down the frequency range. When the Resonance (Q-factor) parameter is increased, the filters peak and the cutoff frequency gets very narrow and very steep. A Vibrato effect modulates the incoming pitch. As opposed to a Chorus effect no direct signal is combined with this pitch modulation. A Tremolo is basically a change of level controlled by an LFO. The G-Major holds variations from soft, smooth to hard and aggressive Tremolos. The panner simply pans the signal from one channel to the other. Two effective good phaser types. The Vintage Phaser will give you the phasing effect similar to the one found in old stomp boxes. The Smooth Phaser is excellent for a less dominant effect. The Vintage Phaser and Smooth Phaser utilize respectively four and twelve All-pass filters. These filters create a comb-looking characteristic. When the filtered sound is mixed with the direct sound, the ?phasing sound occurs. As far as Hall, Plate and Room algorithms, each Reverb consists of Early Reflections and a Dif-fuse Field. In any Reverb simulation the Early Reflections define the shape and size of the room. The Diffuse Field represents the Reverb Tail. The Spring algorithm is designed to reproduce the sound of the old spring Reverbs, as used in vintage guitar amps. The source signal is split and a specified amount of the signal is detuned to you specifications. The Detune block in the Pitch block holds two voices. A Delay for each voice could be applied as a slapback effect. With the G-Major Pitch Shifter you are able to add 2 voices, each with a fixed pitch within +/- one octave from the Input note. The processing of the G-Major is at a speed where you will never notice any searching for the notes as with many older octaver units and octaver stomp boxes. The G-Major holds a number of Delay modes that will cover not only your basic needs, but also Delay effects thought of as unachievable unless hooked up with extremely high-end audio equipment. Actually that is exactly what the G-Major guitar processor features! With the PingPong Delay line you are able to pan the repeats from left to right. The Dynamic Delay is a function that allows the Delay Output level to be actively altered by the dynamics of the Input level. A function that can be used to leave the source material clear and undisturbed while played and delicately accompanied by the Delay between phrases. The Dual Delay algorithm allows you to have two Delay lines running at the same time. In other terms you have two separate Delay units in parallel, each with its own set of parameters. Changing your sound from a crisp clean dry rhythm sound to a overdriven lead sound, will most likely involve channel switching on your Preamp or Combo in addition to changing your effects preset. Generally this implies the investment of a separate switching system. Not with the G?Major! With the built-in Relay Switching on the G?Major you are able to switch between up to 3 channels on your Preamp or Combo. The G-Major holds four modifiers. A Modifier is a virtual handle, that can be remote controlled via MIDI Cc�s or the Ext. Control jack. A Modifier can be connected to several effects parameters simultaneously. Additionally a unique transmission may be set up between the Modifier and each of the connected effects parameters. The G-Major Chromatic tuner ranges from 420 Hz to 460 Hz. Mute the Outputs of your G?Major when tuning your guitar. You can setup either a MIDI pedal, a momentary switch or an Expression pedal to control the mute function. G?Major holds three different effects Routings that can be changed with the preset or fixed to your favorite selection. The Serial Routing connects all seven effects blocks in straight line, equal to a regular guitar stomp box setup. Semi Parallel still connects the first five effects blocks in a serial manner, while the Reverb and Delay block are now connected in parallel. The Parallel Routing still allows serial based effects like the Noise Gate, Compressor and Tremolo to be connected in serial, and additionally connects the Pitch, Chorus, Delay and Reverb in a parallel setup.

The Finalizer Express is the fast and efficient way to turn your mix into a Professional Master! Based upon TC's Multi-Award winning Finalizer Mastering Technology, it delivers the finishing touches of clarity, warmth and punch to your mixes, putting the world of professional mastering within your reach.

Insert the Finalizer Express between the stereo output of your mixer or workstation and your mastering recording media to refine your tracks with powerful mastering tools, adding real energy to your mix without worrying about "overs".

Punch up your mix with the fast intuitive user-interface and deliver the ultimate sound quality you deserve-quick and clean! Spectral balance is improved, bass is tightened, the level is optimized and your mix sounds like a final master!

Features Finalize Welcome to the heart of the Finalizer Express. You select which style of compression you need and how you want it to work with the adjust cursor keys. Move the LED to the lower left corner to use very subtle dynamics processing or to the upper right light corner for the heaviest and fullest dynamics processing you can imagine. Then there is everything in between - you have complete control. Select Input Select analog balanced XLR input or digital input via AES/EBU, S/PDIF or Tos-link with a single touch of this button. Analog Level Set the analog input level to fit your source. Meters This section gives you a clear readout of what is happening inside the Express e.g. how hot are your input, output, soft-clipping, and compression levels. Normalize Soft-Clip Turned on when lit. This section emulates the input stage of analog preamplifiers, giving you that sought after analog sounding soft saturation that adds warmth to your signal. Gain Gain immediate control over your input and output levels using gain! Look Ahead Delay Press this button to make the Finalizer Express process your signal even more smoothly. By 'Looking Ahead' and foreseeing any unwanted peak or transient information the Finalizer Express is prepared to control the level at the exact moment the anomoly occurs. Soft-Clip With the output soft-clipper on, you can emulate the sound and feel of analog equipment, while retaining all the advantages of staying inside the Digital domain. MIDI Channel Press these two buttons and use the arrow buttons to select which MIDI channel you wish the Finalizer Express to send and receive from. Especially useful when controlling a master fade with a sequencer. Spectral Balance This is the EQ section that will allow you to adjust the spectral balance of your signal. The Emphasis buttons affect the band that corresponds to the knob below for adjusting the low, mid, and high end frequencies. Fade In/Fade Out Control your fades using the Fader knob, a remote Master Fader, or a MIDI sequencer. The Express also transmits Fader values via MIDI, so you can record a fade with a sequencer and play it back later, (controlling the fade via MIDI), any way you like. Output The Bypass button gives you the ability to hear the enhancements the Finalizer Express adds to your signal. Bypass and listen, compare the two, and adjust the Finalized signal to give you exactly what your mix needs. Analog Out From -26 to +6dB, the Knob in this section lets you turn your analog out level up or down quickly and easily. The clear numbering actually tells you exactly what level is coming out of the Finalizer Express.

The legendary G-Force gives you a variety of great sound effects, in a easy to program and fun to operate single rack unit. State-of-the-art DSP technology, proprietary DARC � chip, 24 bit resolution gives you massive memory, high-speed processing and uncompromised sound quality. Flexible routing and control possibilities combined with 8 full-blown effects, each with sound quality surpassing stand alone units, generate sounds unlike any you have heard before as well as dreamed about! With the G-Force digital multiple effects processing has finally come of age enabling you to have high quality sounds without sacrificing the integrity of your original tone! Feature

Flexibility: Ditching your beloved stomp boxes and going digital often means losing the simplicity and flexibility of your pedal arrangement. Dealing with phone book sized manuals and interfaces made by and for computer expects, often drive creative musicians away from such space age machinery. One of TC's missions with the G-Force was to effectively address this problem! Despite the front-end technology and advanced possibilities encompassed within the G-Force, it's a very flexible and easily approachable machine. You have the choice of simply using it as a linear chain of effects, or you can go beyond the use of any other known multi-effects unit, and explore the countless combinations and possibilities within the G-Force. Simplicity: The G-Force is very likely to change your whole approach towards creating effects for your guitar. Very soon you will find yourself going from simple use of standards effects towards thinking up previously non-existing effects, like a tremolo that only kicks in when you play high notes. Simultaneously, you are controlling the level of a phased, distorted delay with your old volume pedal, that you set the G-Force up to use as an expression controller.



Intuition: The G-Force is so intuitive and logical to use, that when you want something to happen and have a feeling that a particular parameter is the right one to adjust, you are probably right! No matter how deep you go, you will not lose your orientation, but you might end up with the coolest new effects you have never heard - and it's yours exclusively!



Ultimate Engineering: TC Electronic's proprietary DARC� chip and the latest DSP technology make the G-Force the most powerful guitar effects processor ever made...by a wide margin. This also assures that the legendary G-Force Multi-Effects Processor will not run out of power before you run out of ideas. Quality: In other multi-effects processors, the more effects and higher complexity of effects you load, the more the overall sound quality of the effects will suffer. Not so with the G-Force! Unequalled DSP power makes it all possible: Now you can get the effects you want, any way you want them. The transparency of the 24 bit A/D and D/A converters assures the sound quality will be unparalleled � and the G-Force is the first Guitar Multi-Effects Processor to offer 24 bit resolution, standard. Tonal Integrity: The power and integrity of your original tone will stay intact, even when running your entire signal through up to 8 full-blown effects simultaneously: Delay Pan/Tremolo Chours/Flanger Drive Reverb Filter/EQ Compressor Pitch* Naturally you can modify these 8 effect-blocks to give you such effects as: Stereo Hall, Over-Drive, Hard Compression, Fast Tremolo, Wah-Wah, Multi-tap Delay, Auto-panner and Noise Gate** - just to mention a few. *Note: The pitch effect features Intelligent Pitch-Shifting algorithms developed by Wave Mechanics. The G-Force is the first guitar effects processor to employ this groundbreaking software. Activating the Noise Gate will not count as one of the eight available effects, since TC Electronic has already added this feature in the input-section! Routing: Thanks to the unique matrix of the G-Force you can easily route and run the effects in any combination and order you wish. As an example you can let the pitch dectector control tremolo tempo, making the speed of the tremolo increase as your pitch increases. You now have 7 remaining effects. On top of that, you can let the threshold control your pitch, so you will jump an octave when you hit the strings really hard. At this point, you still haver 6 effects remaining. Now you can throw in a full-blown TC 1210 style chorus, a TC 2290 type ducking delay and an M2000 reverb. Want more? - You still have 3 more effects to add. Control: Another TC exclusive, the ParaLink real time modifiers, quickly and easily put you in control of all relevant preset parameters. Pitch-bend, After-touch, MIDI controller, Tempo, Envelope, 2 LFO�s and 2 ADR�s allow you to create the exact sound you want, regardless of style or complexity - from mild to wild�clean to nasty. It is a bit like driving a bicycle: It's dead-easy, but it still allows you go in any direction you want. The G-Force truly offers a formidable arsenal of possibilities! Choosing the direction is your privilege....

The TC-Helicon VoiceOne is designed for the creative producer/engineer who wants to create fresh, innovative, outstanding vocal tracks. We believe VoiceOne has the best quality voice shifting of any product - realtime or nonrealtime - and this combines with our award-winning VoiceModelingTM technology (now in its second generation) to make VoiceOne an amazing vocal creativity tool. At its core, VoiceOne is built around a newly developed, vocal-trained pitch-recognition algorithm - an industry first. Its superior pitch recognition supports all of the following features:

Four kinds of voice pitch shifting:

In the PureShift, full-DSP mode, you can shift using Instrumental, Formant Corrected, and HybridShift(TM) (set the percentage of instrument vs. formant corrected). In the regular operating mode, all shifting is done through the VoiceModelingTM section. It's useful having all of these options depending on the kind of voice you are working with and the sound you want.

FlexTime (TM) time elasticity algorithm.

This allows you to control vocal phrase stretching/shrinking either directly or automatically, with up to 500ms of freedom. For example, the VoiceOne can be used to take a sustained vowel and sustain it longer than the singer does, then gradually reduce the delay in the phrase as time goes on in order to catch up with the singer - super for doubling or rephrasing.

Second generation VoiceModelingTM.

Enhance or even transform vocals using algorithms which include Vibrato, Breath, Growl/Rasp, Inflection, Spectral and Resonance.

Advanced pitch correction and Repitching.

VoiceOne offers advanced automatic and manual forms of pitch correction, however, it goes much further by allowing you full control to repitch melodies to any pitch.

Intelligent harmonization algorithms.

Naturally you can control it via MIDI, by internal scale, or custom write your own scale. The sonic quality of the shifted voice is outstanding. In combination with modeling you can create amazing backing vocals.

Pitch to MIDI conversion. Full MIDI implementation. 100 Factory and 50 User presets. Full DSP, 'PureShift' mode for low latency/extended performance.