Dynamics

The ultimate SSL-style mix buss compressor.

The API 2500 is a versatile stereo bus compressor that allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix.

The API 225L Compressor is ideal for all studio, live sound and broadcast applications.

The API 525 is perhaps the most successful solid state feedback compressor in history. It delivers dynamics control behavior unlike VCA "feed forward" compressors so common today.

The API 235L Noise Gate/Expander is one of the fastest noise gates manufactured today.

This classic limiter/compressor was featured on custom EMI/Abbey Road recording and mastering consoles.

The LTD-2 is based on the Neve 2254 compressor which is the class A predecessor to the 2264 and 33609.

Mastering pair of LTD-2's. 1db stepped gain make, and specially matched for stereo.

A simple Limiter from the rich past of EMI and Abbey Road has now come full circle into a modern powerhouse suitable for recording, mixing, and mastering.

The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is transformer balanced in and out.

The Distressor is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications.

Distressor with Brit-mod.

The EL7 FATSO is a modern digitally controlled analog device that offers many of the "musical non-linearities" exhibited by the older tube, class A discrete, and magnetic tape mediums.

Set it and forget it! Our Langevin ELOP™ Limiter makes your job easy.

One of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next.

Set it and forget it! Our ELOP™ Limiters make your job easy.

SLAM! stands for "Stereo Limiter And Micpre" and it pretty much describes what it will do to most VU meters.

The Twincom (TCL-2) is an ultra-transparent, two channel opto-compressor/limiter offering Class-A biased all discrete J-FET solid-state operation or Class-A biased all triode vacuum tube operation at the touch of a button.

The Kultube is an extremely versatile compressor with a broad range of control facilities that cover all typical compressor applications.

The Charisma 2 is a dual channel tube processor designed to improve the power, punch, dynamics and the subjective loudness of processed signals.

The Transient Designer offers a completely new technology for level-independent shaping of the dynamic response of a sound.

The Transient Designer offers a completely new technology for level-independent shaping of the dynamic response of a sound.

The DynaMaxx compressor, limiter, gate offers ease of use due to musically automated time constants and premiers the De-Compressor to regain vitality from compressed audio files.

The SPL Auto-Dynamic De-Esser is a highly specialised audio tool for removing undesired sibilant frequencies in a very simple and musical way without compromising the timbre and natural character of a voice.

The SPL Auto-Dynamic De-Esser is a highly specialised audio tool for removing undesired sibilant frequencies in a very simple and musical way without compromising the timbre and natural character of a voice.

The DynaMaxx compressor, limiter, gate offers ease of use due to musically automated time constants and premiers the De-Compressor to regain vitality from compressed audio files.

The Transient Designer offers a completely new technology for level-independent shaping of the dynamic response of a sound.

The Charisma is a tube processor designed to improve the power, punch, dynamics and the subjective loudness of processed signals.

Stereo Multi-band Compressor

Opto Cell Compressor

Dual Channel Opto Cell Compressor

Stereo Compressor/Limiter

Audio professionals passionate about their compressors revere the LA-2A.

Evolving from the popular Universal Audio 175 and 176 vacuum tube limiters, the 1176LN retains the proven qualities of these industry leaders, and has set the standard for all limiters to follow.

Stereo 1176

The 2-LA-2 is not an exact component clone of the classic LA-2A, but a feature-enhanced stereo evolution of its ancestor.

The original LA-3A Audio Leveler made its debut at the 1969 NY AES show and marked the departure from the tube design of the Teletronix LA-2A Leveling Amplifier.

The original LA-3A Audio Leveler made its debut at the 1969 NY AES show and marked the departure from the tube design of the Teletronix LA-2A Leveling Amplifier.